In conjunction with the François Morelli exhibition in 2017, Les Éditions de Mévius publishes an art book introducing readers to the previously unseen journals in which Morelli draws every day.
This catalogue exposes the different threads linking the work of these three Canadian artists, bridging traditional and typically feminine practices and contemporary art.
In order to seize the magnitude and the complexity of Marc Garneau’s work, Les Éditions de Mévius propose a publication that stands halfway between the exhibition catalogue and the monograph
This publication offers a philosophical analysis of Velickovic’s work and situates New Figuration, the movement with which the artist is often associated, within its context in France.
