This publication offers a philosophical analysis of Velickovic’s work and situates New Figuration, the movement with which the artist is often associated, within its context in France. It contains illustrations and essays that trace the evolution of the painter and draftsman’s career over the past ten years. Alongside a preface by Isabelle de Mévius, it features essays by Evelyne Artaud (“Vladimir Velickovic and the New Figuration in France” | “The Moment After”) and Georges Leroux (“Transfixion”), as well as poems by Dario de Facendis and Fernand Ouellette. Also included are a selected exhibition history and bibliography.